Performance
In Between is a performance situated at the threshold between embodied experience and disappearance, action and constraint, visibility and withdrawal. The body appears, is covered, weighted, partially released, and moves through space, activating a sequence of transitions that form a liminal temporality.
The feet are encased in plaster, forming an exoskeleton; an externalized structure that simultaneously protects and confines. The face is covered, vision is obstructed, and the relationship to the surrounding space becomes unstable. The body remains present but not fully available; it operates through restriction, touch, and sensation. The partial release of the feet allows movement and proximity to the audience, without dissolving the fragility of the condition.
As the performance unfolds, light gradually diminishes: candles are extinguished one by one, marking the erosion of presence, expectation, and certainty. The action does not culminate; it disperses. The audience is drawn into a shared “in-between” space, where the boundaries between performer and observer, life and death, closeness and distance remain fluid.
Drawing on existential philosophy, theories of liminality, and the conceptual performance tradition, In Between proposes the human condition as a continuous negotiation between the need for meaning and the inevitability of loss. Freedom appears not as resolution, but as a provisional movement within constraint.